Nebulosa autoficcional : hesitações e [trans] midiatizações poéticas visuais

Abstract

I present in this dissertation my process of autofictional and transmediatic poetic-artistic investigation through a methodology of multiple analyses and reviews. Initially, I seek to delineate three aspects of the term autofiction: the "autonalysis", the "textual narrative" and the "oxymoronic pact". To then think of autofiction as a cultural mutation triggering autofictional practices unique to each person who narrates about themselves, given the context of diverse artistic, technological, political, industrial, aesthetic, and social circumstances in intersection with hypes and trends, bringing transmedia as a fourth aspect of my autofictions practices. Concomitant to the theoretical review and appropriation, I reflect on my chimerical processes creation in digital arts, which blend aesthetics inspired by fantastic and conceptual films, photographs, and images, as well as by artistic movements, such as surrealism, and by vaporwave, glitch art, and the aesthetics of cyberculture. Through a writing permeated by fair deviations, I interweave fantastic autofabulous literary narratives with the dissertation discussions, integrating affections and memories in the investigative process that make me reflect on a notion of my existence circumscribed by a "fragmented" corporeality, due to subjectivities and urban-capitalist bureaucratizations that categorize and segregate the diverse forms of life. In the final considerations, I realize that my visual poetics are ways to acess states of hesitations that make it possible to redistribute dialectics of fictions that constitute a notion of reality and an experience of queerization. The writing by the idea of an expanding nebula is thought of as an experience in living that constitutes the dissertation itself, reflecting on the methodology and narrative structure of a poetic research in the field of arts that hybridizes science and fiction.