Literatura e dança: a escrita do corpo feminino na poética contemporânea de Adelaide Ivánova e Angélica Freitas

Abstract

This proposal aims to investigate the writing of the female body in contemporary Brazilian poetry in its relationship with dance, seeking to bring the areas of study closer. Therefore, the corpus to be investigated comprises the writing strategies of two poets, namely: Adelaide Ivánova and Angélica Freitas in their respective works, O martelo (2017) and Canções de Atormentar (2020). What both have in common is the potency and substance of the word imprinted on the presence, movements, and gestures of their bodies, forming an important segment of contemporary lyric poetry. In this way, the research focuses on the distinct corporealities present in the narratives of the poems, in addition to seeking to understand textual possibilities of/in the bodies themselves, complicating the categories of understanding. These analyses aim to highlight the hypothesis that reading and writing poetry are also ways of doing dance and, by making connections with contemporary dance, they focus on the homologous structures between poem and choreography at the moment of analysis. Given this, names from the field of Dance, Pina Bausch (1975, 1979) and Marina Tampini (2012), corroborate the intersection between the areas. Furthermore, researchers such as Christine Greiner (2006), Helena Katz (2001), and Jussara Setenta (2008) enhance the analyses based on Corpomídia theory. To address philosophical aspects related to the body, names such as José Gil (2001), Gilles Deleuze (2002), and Giorgio Agamben (2009) have been listed.