Luz e sombra na representação arquitetônica e cinematográfica: intersecções entre Kogan e Bergman

Abstract

This study comprehends the associations between the architectural of Márcio Kogan with some aesthetic elements present in the Swedish filmmaker’s filmography Ingmar Bergman. Kogan explains in his speech the inspiration coming from cinema and, particularly, his attraction by Bergman’s work. Among the elements that suggest such connections there are the strategies of light and shadow use to compose his images. To the investigation, it was made an analytic and comparative procedure between photographs of Kogan’s work, available by the architect himself, and photographs acquired of a decoupage process of Bergman’s movies, to select images that could show the referred connections. Through graphic geometry procedures, it was observed the correspondences of formal organization between the images involved. It was sought, with these, comprehends some of aspects that can elucidate about how this architect transpose experience with the cinematography to his project practice. The study results refer to graphical schemes that connect one way of formal organization correspondent between architectural and cinematographic images, associated to a reflexive speech which highlights the value of project process contributions investigated by Kogan, marked by his provocative look to cinema, to an architecture formative context.