Do Físico ao Digital: mudanças no pensar e fazer a obra.

Abstract

The research project “From Physical to Digital: changes in thinking and doing the work” developed by me in the Master of Arts in UFPel, focuses on the creative processes within the production of a series of images generated from an array/x-ray scanned and manipulated in graphics program. Interests to the project identify features, connections, and breaks for the design and production processes of these works in relation to previous production, considering the passage from physical to digital. Knowing that with the use of computer imaging in series can be amplified for runtime and possibilities of variations; considering the possibility to save each image generated and preserve it as array; some questions are: To dispense with the need to imagine the result of each action, the creative process changes? If the perception is privileged in the creative process, this becomes more focused on sensitivity? To give an account of these and others questions, drew up a qualitative methodology, including the mapping of production research, theoretical and artistic referential, poetic and reflective production, registration and documentation of the process. The results observed indicate the differences in the way they think about the works. As you can see the next step, the perception is privileged in relation to imagination, the ability to “find” the best solutions is emphasized as a function of access to them, the possibility of “error” is minimized and there is an investment toward visual complexity.