Visões de mundo e inter-relações no movimento Hip Hop em Pelotas

Abstract

The following dissertation revolves around the discussion of the Hip Hop movement in the city of Pelotas - Rio Grande do Sul - Brasil, trying to understand, from documentary contribution, selected bibliography and oral history interviews, what are the dialogues, similarities and differences of this local manifestation in relation to their national sides (in that case Hip Hop made in the axis of the region Rio-São Paulo, which influences the rest of the country) and its global influences (emanating mainly from the United States, birthplace of Hip Hop culture in the world). Through reflections on the Hip Hop itself, trying to understand how it is configured in Pelotas in organizational terms, we seek to identify a historical- although it is aware of being a partial historical- and at the same time an average profile of the movement. More than seeking such representation in the sources from the media and existing bibliography, it is in the narratives of the cultural producers involved with Hip Hop is that we find the most expensive settings to this work. The Hip Hop is a multifaceted movement, and in its internal differences resides important material to understand the relationship of their involved with other social groups, and what are the locations and positions that people crave for themselves and for the group to which they belong. Therefore, the social representation of the movement, the identity of its participants, the intergenerational relations (between different generations) inside the Hip Hop from Pelotas and analysis of different positions on issues discussed by the movement (which often vary in accordance with the generation in which each individual is inserted) are the theme of the research.